Aegean Articles

Today, traveling an hour by ferry from Piraeus, the port of Athens, the first remnant of Aegina’s great past a visitor will see is the lonely pillar of Apollo rising from the trees on the hill of Kolona. Once a splendid complex of three buildings (the Temple of Apollo itself rose on eleven large pillars and six smaller ones) and a cemetery (in which... [continue reading]

Until Sir Arthur Evans unearthed the palace of Knossos, the half-man-half bull killed by Theseus was considered just a popular legend; archeology changed that perception. King Minos, of Crete, fought hard with his brother to ascend the throne and, having won the kingship and exiled his brother, prayed to the god of the sea, Poseidon, for a snow white... [continue reading]

The Cycladic islands of the Aegean were first inhabited by voyagers from Asia Minor around 3000 BCE and a certain prosperity was achieved thanks to the wealth of natural resources on the islands such as gold, silver, copper, obsidian and marble. This prosperity allowed for a flourishing of the arts and the uniqueness of Cycladic art is perhaps best illustrated... [continue reading]

Frescoes are the source of some of the most striking imagery handed down to us from the Minoan civilization of Bronze Age Crete (2000-1500 BCE). Further, without written records, they are often the only source, along with decorated pottery, of just how the world appeared to the Minoans and give us tantalizing glimpses of their beliefs, cultural practices... [continue reading]

The jewellery of the Minoan civilization based on Bronze Age Crete demonstrates, as with other Minoan visual art forms, not only a sophisticated technological knowledge (in this case of metalwork) and an ingenuity of design but also a joy in vibrantly representing nature and a love of flowing, expressive, shapes and forms. Materials & Technology... [continue reading]

The ever evolving pottery from the Minoan civilization of Bronze Age Crete (2000-1500 BCE) demonstrates, perhaps better than any other medium, not only the Minoan joy in animal, sea and plant life but also their delight in flowing, naturalistic shapes and design. Kamares Style Following on from the pre-palatial styles of Vasiliki (with surfaces... [continue reading]

The pottery of the Mycenaean civilization (1550-1050 BCE), although heavily influenced by the earlier Minoans based on Crete, nevertheless, added new pottery shapes to the existing range and achieved its own distinctive decorative style which was strikingly homogenous across Mycenaean Greece. Mycenaean wares typically display stylized representations... [continue reading]

Recently Vivian Nutton wrote that “… for our knowledge of Greek medicine and its physicians before the late fifth century BC, we are largely at the mercy of a combination of later legend and modern plausible speculation, and neither can be trusted entirely”. This work attempts to remove some of this speculation, and look at what... [continue reading]

In 1984, exactly ten years ago, at a conference in Athens on the ‘Function of the Minoan Palaces’, several participants in a general discussion on economy and trade brought up the possibility of Minoan artists working overseas. Peter Warren later went on to discuss the existence of Minoan merchants abroad, but few of the other participants pursued... [continue reading]