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Knossos (pronounced Kuh-nuh-SOS) is the ancient Minoan palace and surrounding city on the island of Crete, sung of by Homer in his Odyssey: “Among their cities is the great city of Cnosus, where Minos reigned when nine years old, he that held converse with great Zeus.” King Minos, famous for his wisdom and, later, one of the three judges of the dead in the underworld, would give his name to the people of Knossos and, by extension, the ancient civilization of Crete: Minoan.
The settlement was established well before 2000 BCE and was destroyed, most likely by fire (though some claim a tsunami) c. 1700 BCE. Knossos has been identified with Plato’s mythical Atlantis from his dialogues of the Timaeus and Critias and is also known in myth most famously through the story of Theseus and the Minotaur (although it should be noted that King Minos’ character in the story, as the king who demands human sacrifice from Athens, is at odds with other accounts of him as a king of wisdom and justice who, further, built the first navy and rid the Aegean sea of pirates). Under Minos’ rule, Knossos flourished through maritime trade as well as overland commerce with the other great cities of Crete, Kato Sakro (Phaestos) and Mallia.
Knossos was destroyed and re-built at least twice. The first palace identified in modern times was built c. 1900 BCE on the ruins of a much older settlement. This palace was destroyed c. 1700 BCE, re-built, and was again destroyed by a combination of earthquake and the invading Mycenaeans c. 1400 BCE (the eruption of the volcano on nearby Thera, also known as Santorini, has long been held a major factor in the destruction of the city. This event is also thought to have inspired Plato’s description of the sinking of Atlantis). Again re-built, Knossos became an important base of operations and capital of the Mycenaeans until it was finally abandoned c. 1375 BCE, the date which traditionally marks the final end of the Minoan civilization (though some scholars cite the date as 1400 with the Mycenaean invasion) and, following this, the great metropolis was left to decay.
For centuries, Knossos was considered only a city of myth and legend until, in 1900, it was uncovered by the English archaeologist Sir Arthur Evans and excavations were begun. Through frescoes on the walls, the excavated site revealed more about the Minoan sport of bull jumping and the ancient story of Theseus and the Minotaur (half-man-half-bull) seemed more probable than fanciful. The possibility that there existed a Minotaur became more acceptable once it was understood that, in the Minoan sport of bull-jumping, the male athlete became one with the bull as he vaulted over the bull’s horns. This sport, then, it is now supposed, gave rise in ancient consciousness to the 'myth’ of the Minotaur through the impression that these athletes were half men and half bulls. It was Evans who first called the ancient inhabitants of Crete 'Minoan’ after the King of Knossos, and his efforts, however controversial some have depicted them, paved the way for all future work in both physical and cultural anthropology concerning the Minoan civilization.
Definition
Knossos (pronounced Kuh-nuh-SOS) is the ancient Minoan palace and surrounding city on the island of Crete, sung of by Homer in his Odyssey: “Among their cities is the great city of Cnosus, where Minos reigned when nine years old, he that held converse with great Zeus.” King Minos, famous for his wisdom and, later, one of the three judges of the dead in the underworld, would give his name to the people of Knossos and, by extension, the ancient civilization of Crete: Minoan. The settlement was established well before 2000 BCE and was destroyed, most likely by fire (though some claim a tsunami) c. 1700 BCE. Knossos has been identified with Plato’s mythical Atlantis from his dialogues of the Timaeus and Critias and is also known in myth most famously through the story of Theseus and the Minotaur (although it should be noted that King Minos’ character in the story, as the king who demands human sacrifice from Athens, is at odds with other accounts of him as a king of wisdom and justice who, further, built the first navy and rid the Aegean sea of pirates). Under Minos’ rule, Knossos flourished through maritime trade as well as overland commerce with the other great cities of Crete, Kato Sakro (Phaestos) and Mallia.
Knossos was destroyed and re-built at least twice. The first palace identified in modern times was built c. 1900 BCE on the ruins of a much older settlement. This palace was destroyed c. 1700 BCE, re-built, and was again destroyed by a combination of earthquake and the invading Mycenaeans c. 1400 BCE (the eruption of the volcano on nearby Thera, also known as Santorini, has long been held a major factor in the destruction of the city. This event is also thought to have inspired Plato’s description of the sinking of Atlantis). Again re-built, Knossos became an important base of operations and capital of the Mycenaeans until it was finally abandoned c. 1375 BCE, the date which traditionally marks the final end of the Minoan civilization (though some scholars cite the date as 1400 with the Mycenaean invasion) and, following this, the great metropolis was left to decay.
For centuries, Knossos was considered only a city of myth and legend until, in 1900, it was uncovered by the English archaeologist Sir Arthur Evans and excavations were begun. Through frescoes on the walls, the excavated site revealed more about the Minoan sport of bull jumping and the ancient story of Theseus and the Minotaur (half-man-half-bull) seemed more probable than fanciful. The possibility that there existed a Minotaur became more acceptable once it was understood that, in the Minoan sport of bull-jumping, the male athlete became one with the bull as he vaulted over the bull’s horns. This sport, then, it is now supposed, gave rise in ancient consciousness to the 'myth’ of the Minotaur through the impression that these athletes were half men and half bulls. It was Evans who first called the ancient inhabitants of Crete 'Minoan’ after the King of Knossos, and his efforts, however controversial some have depicted them, paved the way for all future work in both physical and cultural anthropology concerning the Minoan civilization.
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Articles
Article
Until Sir Arthur Evans unearthed the palace of Knossos, the half-man-half bull killed by Theseus was considered just a popular legend; archeology changed that perception. King Minos, of Crete, fought hard with his brother to ascend the throne and, having won the kingship and exiled his brother, prayed to the god of the sea, Poseidon, for a snow white... [continue reading]
Article
Until Sir Arthur Evans unearthed the palace of Knossos, the half-man-half bull killed by Theseus was considered just a popular legend; archeology changed that. The Minotaur King Minos, of Crete, fought hard with his brother to ascend the throne and, having won the kingship and exiled his brother, prayed to the god of the sea, Poseidon, for a snow white... [continue reading]
Article
Frescoes are the source of some of the most striking imagery handed down to us from the Minoan civilization of Bronze Age Crete (2000-1500 BCE). Further, without written records, they are often the only source, along with decorated pottery, of just how the world appeared to the Minoans and give us tantalizing glimpses of their beliefs, cultural practices... [continue reading]
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The jewellery of the Minoan civilization based on Bronze Age Crete demonstrates, as with other Minoan visual art forms, not only a sophisticated technological knowledge (in this case of metalwork) and an ingenuity of design but also a joy in vibrantly representing nature and a love of flowing, expressive, shapes and forms. Materials & Technology... [continue reading]
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The ever evolving pottery from the Minoan civilization of Bronze Age Crete (2000-1500 BCE) demonstrates, perhaps better than any other medium, not only the Minoan joy in animal, sea and plant life but also their delight in flowing, naturalistic shapes and design. Kamares Style Following on from the pre-palatial styles of Vasiliki (with surfaces... [continue reading]
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